I wish to discuss a book. Normally I would say exactly what I wanted to say (within the realm of normal human consideration), on the principle that authors who want to be happy should not seek out strangers talking smack about their babies. However, in this case, I know that the author’s wife reads here, and she knows I know, and that gives me an extra responsibility to be careful with my words. My original intention, before reading the book, was to get around that issue by Just Not Talking About the Book Here—but it turns out the book reached near-obsession levels for me, and I want you to read it too. And yet I am not willing to strongly recommend a book by telling you ONLY the good things. So here we are. I am going to tell you what I liked and didn’t like about the book, while KNOWING the author’s wife is STANDING RIGHT THERE.

(image from Target.com)
The Revisionaries, by A. R. Moxon (Target) (Amazon)
I will begin by telling you how I went into this book, because expectations matter. I follow the author on Twitter; he’s funny and he does a lot of political tweeting I agree with. When he wrote a book, I put it on my wish list, even though I am not really reading books by men right now. When I got the book, I was surprised by what a giant book it was (600 pages, with narrower-than-usual margins), and found it intimidating; combined with the male-author issue, it drifted to the bottom of the To Read pile. Over Christmas break I decided to just TACKLE it and find out one way or the other if I liked it, so that if I DIDN’T like it I could add it to the Read-Once Book Giveaway I’m planning to do sometime this month or next.
It took me awhile to get into it. It’s the kind of book where a lot is happening that isn’t supposed to make sense yet, and that is not my usual style of book, and it kept starting NEW plotlines where it’s not supposed to make sense yet, so then you have to put a mental bookmark in one thing you don’t understand and start a new thing you don’t understand, and also there were some long visual descriptions which I tend to skim; and so I was slogging a bit, and kept realizing I’d been skimming over something important and would need to go back and re-read. But the writing was good, and the characters seemed promising, and the plot seemed compelling, and I liked it enough to keep reading but not enough to think I would necessarily finish it. At some point, though, it Caught. There were two days when I spent virtually all my free time reading it: I would get up stiffly out of my chair, thinking I ought to do something else for awhile, but soon I would be back in the chair reading it again. When I wasn’t reading it, I was thinking about it. Paul kept asking me nervously if I was upset about something, but I was NOT upset, I was VERY THINKING. I finished it yesterday, and my tentative plan is to just start reading it over again, because I don’t really want to read anything else; the ONLY reason I might not do this plan is that I think it’s the rare sort of book Paul might like TOO (our tastes overlap almost zero), and so I might want to have HIM read it instead. But maybe I’ll read it again and THEN let Paul read it.
Now I am going to say the things I didn’t like, things you might not like either—or, in two-and-a-half of the three cases, things that might make you MORE interested in reading it. The first is purely subjective: I don’t like it when a book leaves me guessing, or when a book leaves me feeling like I didn’t in the end understand everything that happened. Paul, on the other hand, LOVES that kind of book, and refers to the kind of book I like as “spoon-fed,” which makes me want to think of mean words to describe the kind of book HE likes. One of the reasons I want to re-read it is because it was the style of book where What Is Going On is only gradually revealed, so I want to go back to the beginning and see if my finished-book knowledge helps me better understand what happened. But if after a second reading, and further contemplation, I end up feeling like (1) I was too stupid to understand the book and/or (2) the author did not effectively communicate the plot so that it could be understood and/or (3) the author didn’t really know what happened, either, and covered that up by making it SEEM like the reader is just too stupid to understand (the second and third things are the kind of accusations I would make about some of the books Paul likes), I will like the book less overall.
The second thing I didn’t like is another subjective thing: I don’t generally like when books try to be clever, or when I feel as if the author is saying “DID YOU SEE WHAT I DID THERE???” (Paul DOES like that kind of book). This book was 10-15% too clever for my usual tastes: a tolerable level, but a level worth bracing for if you feel the way I do about it. On the other hand, I will say there were at least two moments when something clever happened and I had to stare into space for a few minutes, fully appreciating the moment (YES I DID SEE WHAT YOU DID THERE), which gives me a little insight into why other people might like clever books. (For one thing, it makes them feel clever for catching the cleverness. But that is annoying to me, too: Paul already believes himself cleverer than I think he ought to, so it feels like the author of a Clever Book is feeding Paul’s ego while also feeding his own ((LOOK HOW CLEVER WE BOTH ARE!!)), and that the two of them ought to knock it off.)
The third thing I want to discuss is the female characters. Speaking of effective communication (end of the paragraph before last), I am not sure I can successfully achieve that here, and may need more time to think it over / re-read before I can even figure out what I want to say, but I will give it a shot. There are good, strong, well-developed female characters in this book, and some of the book is written from their perspective, and I found their perspective reasonable and even very good, and I did not think my usual thought that male authors should not try to write from a female point of view, and in fact I thought more highly of the author for these portrayals. And you will not have to read about their breasts, or their firm thighs, or their endless thoughts on shoes, or whatever. But all of them are Eves: they are there because an Adam needed a helpmeet or a confidante or a girlfriend/wife or a motivation or a conflict in his relationship with a male God. They are Delilahs: strong women who have strong roles, but they are characters in a man’s life story, not the other way around. This book is about a man who, and a man who, and the man who, and the man who; then the women are added in. It does just barely pass the Bechdel Test, but just barely. Even the women’s THOUGHTS are almost entirely about the men in their lives. On the other hand, as I said, a lot of their thoughts are GOOD: the women are in many cases smarter, better, more aware, and more self-aware than the men; they see the men’s flaws, and they see the story more clearly than the men do, and there is some feeling that the reason they are Eves/Delilahs is that THAT IS THE WAY THE WORLD WORKS FOR WOMEN RIGHT NOW, AND THAT IS WHAT HAS BEEN DONE TO THEM BY MEN, AND THAT THE AUTHOR SEES THAT AND IS CONSCIOUSLY PORTRAYING AND SPECIFICALLY COMMENTING ON THAT VERY IDEA. And it’s clear he IS doing some of that (the female characters have some of those thoughts), but that’s not the whole thing: it still feels like a story where the men were put in first, and the women take the supporting roles. The supporting roles are VERY VERY VERY GOOD ROLES! We’re talking 99th percentile of good supporting roles! But they’re not the leads. The leads are Adam, and a male God, and Samson.
Anyway, none of that is stopping me from thinking about the book all the time, and wanting to start it over again at the beginning, and thinking you should read it too, EVEN THOUGH THE AUTHOR IS MALE. I thought it was remarkable. I have WOKEN UP HAPPY IN THE MORNINGS, THINKING OF HAVING THIS BOOK TO READ/RE-READ. I hope there are more books by this author, and I would pre-order any such books, and I only have maybe five or six authors total that I’d pre-order, and all the others are women, and two of them don’t write books anymore.
I will send one commenter a copy of the book (U.S. addresses only, but if you have friend/family in the U.S., you can have me ship it as a gift to them). To enter, leave any comment at all (if that kind of freedom freezes you with indecision, as it does me, you can comment with a recent book you liked, or some general/specific thing you like/dislike in books, or a treat you’re looking forward to eating later), and I’ll draw a name on…let’s see, today is Saturday, how about Monday? Mondays don’t have much else to recommend them. January 4th, “sometime during the day.”
Update: Choosing the winner. I use Random.org when I need a random number, and for contests I usually generate a little LIST of numbers: it’s typical to count through to find the 77th comment and find it’s from a commenter who doesn’t want to be entered, and then to go to go to the second pick, which is #58 and turns out to be my own reply to another comment, and so on. So what I do is, I generate, say, 5-10 numbers, and….okay, this is getting dull, I see that now. HERE IS MY POINT: My point is that as I was generating numbers and writing them down, I thought of the story of Jonah, which relates to this book and is not a spoiler, and how the people on the ship draw lots to see who God is mad at. And I don’t know precisely what drawing lots means in this story (I’m imagining straws, with one straw shorter), but I get the gist. Meanwhile I was still jotting my list, and I thought, “What would be neat is if the same number occurred multiple times in this random draw—AS IF I were looking for The Divine Answer to Who Should Get This Book, rather than looking for a random number.” And in my list of ten numbers, the same number appeared twice. And then this will sound like it is not true BUT IT IS: I drew an eleventh time, and got that same number a third time—as if it were saying “I SAID WHAT I SAID.” So it is commenter Angela of the 1:14 p.m. comment on January 2nd! I will email you, Angela!